“A businessman in the tourism industry has filed a criminal complaint against a controversial historical soap opera aired on a Turkish network, accusing it of undermining people’s understanding of Turkish history.
Ömer Faruk Bildirici, who lives in the central province of Konya, filed the complaint on Friday in a Konya court against “Muhteşem Yüzyıl” (Magnificent Century), a soap opera centered on the intrigues of the Ottoman Palace that airs on Star TV.
Bildirici accused the TV show of distorting society’s perceptions of certain historical incidents and figures and demanded a ban on the TV show in a petition which will be forwarded to the İstanbul Public Prosecutor’s Office.
“Muhteşem Yüzyıl” has become a top issue of debate in the country after Prime Minister Recep Tayyip Erdoğan severely criticized the show, saying it undermines the golden age of Turkish history, as it portrays Ottoman Sultan Süleyman the Magnificent, known as Kanuni in Turkish, who reigned from his coronation in 1520 to his death in 1566, in a way conservatives in Turkey say is skewed.
Erdoğan not only lashed out at the show but also at its producers, as well as the owner of the network that runs it. “We know no such Kanuni. He spent 30 years of his life on horseback [as opposed to the life of indulgence portrayed in the series]. I publicly condemn the directors of that show and the owners of the television station. We have warned the authorities about this. I expect the judiciary to make the right decision.”
The series has been on the air for two years. Erdoğan and other government representatives have occasionally expressed their annoyance with it, but this was the first time Erdoğan called on the judiciary to act against the show, sparking a major controversy about free speech in Turkey.”
“Continuing its steady rise, Turkey for the first time has broken into the top 20 of Monocle magazine’s annual Soft Power Survey rankings.
According to Monocle, Turkey made the top 20 thanks to the popularity of its soap operas across Europe and the Middle East and the bold new routes added by Turkish Airlines.
Coined by a Harvard academic in 1990, the term “soft power” describes how states use attraction and persuasion, rather than coercion or payment, to change behavior.
Monocle magazine’s annual “Global Soft Power” survey ranks nations according to their politics, diplomatic infrastructure, cultural output, capacity for education and appeal to business rather than their financial and military power.” […]
“Ülkenin temel meselelerinin ötesinde her mevzuya dair yorum yapmasına yönelik eleştirileri “Bu ülkenin Başbakanı olarak bu da benim görevim…” şeklinde göğüsleyen Tayyip Erdoğan’ın gündemini şu sıralar Muhteşem Yüzyıl meşgul ediyor.
Yayınlanmaya başlandığı günden bu yana pek çok kez gerici köşe yazarlarının ve RTÜK’ün, tarihi çarpıttığı gerekçesiyle hedef aldığı dizi şimdi de Başbakan’ın gündemine girdi. Kütahya’da katıldığı hava alanı açılışında konuşma yapan Tayyip Erdoğan 2 senedir yayında olan ve Kanuni Sultan Süleyman zamanının Osmanlı’sını anlatan Muhteşem Yüzyıl dizisine ateş püskürdü. Başbakan; “Bizim öyle bir ecdadımız yok. Biz öyle bir Kanuni tanımadık. Biz öyle bir Sultan Süleyman tanımadık. Onun ömrünün 30 yılı at sırtında geçti. Sarayda o gördüğünüz dizilerdeki gibi geçmedi” diyerek dizinin gerçeği yansıtmadığını iddia etti.
Tasvip etmediği durumlarda ‘yargıya talimat verdiğini’ söylemekte bir beis görmeyen Başbakan, “Bu konuda da ilgilileri uyarmamıza rağmen yargının da gerekli kararı vermesini bekliyoruz. Böyle bir anlayış olamaz. Bu milletin değerleriyle oynayanlara milletçe gereken dersin, cevabın hukuk içinde verilmesi gerekir” diyerek yargıyla olan ilişkisinin altını bir kez daha çizmiş oldu. Başbakanın uzlaşamadığı kaç gazetecinin işinden olduğu anımsandığında, “Ben o dizilerin yönetmenlerini de o televizyonların sahiplerini de milletimin huzurunda kınıyorum” dediği yönetmen ve televizyoncuların akıbeti merak konusu oldu.” […]
“Turkish President Abdullah Gül has hailed depictions of history in TV shows and movies, adding his voice to recent debates over whether the depiction of history by artistic circles distorts society’s perceptions about certain historical incidents and figures.
“The fact that historical events or people are being dealt with in movies or TV series is a welcome development,” Gül said during the annual Presidential Grand Awards in Culture and Arts on Thursday.
The president stated that history, especially the Ottoman era, has in recent years become a subject of curiosity and interest for people and that’s why we see historical events and figures being more frequently portrayed in TV series, films and stories.
“It is important to take lessons from history. As the Turkish saying goes, ‘history repeats itself’,” Gül further stated.
The debate on TV shows based on history was sparked by remarks from Prime Minister Recep Tayyip Erdoğan, who severely criticized “Muhteşem Yüzyıl” (Magnificent Century), a historical soap opera on Turkish networks centered on the intrigues of the Ottoman Palace. Those who criticize the series say it portrays şehzades, or the children of the sultan, as indulged only in sensual pleasures.
Erdoğan feels that the series undermines the golden age of Turkish history, as it portrays Ottoman Sultan Süleyman the Magnificent, known as Kanuni in Turkish, who reigned from his coronation in 1520 to his death in 1566, in a way conservatives in Turkey say is skewed.
Erdoğan not only lashed out at the show but also at its producers, as well as the owner of the network that runs it. “We know no such Kanuni. He spent 30 years of his life on horseback [as opposed to the life of indulgence portrayed in the series]. I publicly condemn the directors of that show and the owners of the television station. We have warned the authorities about this. I expect the judiciary to make the right decision.”
The series has been running for two years. Erdoğan and other government representatives have occasionally expressed their annoyance with it, but this was the first time Erdoğan called on the judiciary to act against the show, sparking a major controversy about free speech in Turkey.”
“Culture and Tourism Minister Ertuğrul Günay has said Prime Minister Recep Tayyip Erdoğan was right to criticize the popular TV series Muhteşem Yüzyıl (The Magnificent Century).
“The prime minister has a very reasonable approach. He has suggested that everyone should be more careful when they write a scenario,” said Günay, adding that the historical era in question was an important one and was not imaginary.
Günay said the clothes, environment, setting and events portrayed in such TV series should more closely mirror reality, which would increase the value of the work. “If this happens then the discussions would stop. We cannot deny the labor of people who are working on these series, but I think everyone could be more careful in terms of scenarios and reflecting reality,” he said.
Erdoğan had earlier heavily criticized Muhteşem Yüzyıl on Nov. 25, for its portrayal of the Ottoman ruler Süleyman the Magnificent.
“We alerted the authorities regarding this and we wait for a judicial decision on it,” Erdoğan said. “Those who toy with these values should be taught a lesson within the premises of law.”
‘Intervention in the judiciary’
The show, which airs in Turkey and abroad, follows the lives of Sultan Süleyman and his lover, the Hürrem Sultan. The show focuses on Süleyman’s personal and palace life, portraying characters from the harem as well as from the royal family.
Erdoğan’s critique of Sultan Süleyman’s portrayal has led to rigorous criticism from members of opposition parties.
Some described Erdoğan’s behavior as an intervention in the judiciary in light of his comments that regarding a judicial decision while others said the prime minister was trying to divert the country’s agenda.
Main opposition Republican People’s Party (CHP) deputy chair Erdoğan Toprak described Erdoğan’s approach as “grave, authoritarian and unhealthy,” daily Radikal reported Nov. 26.”
“Prime Minister Recep Tayyip Erdoğan’s heavy criticism Nov. 25 of the hit Turkish TV soap opera “Muhteşem Yüzyıl” (The Magnificent Century) for its portrayal of the Ottoman ruler Süleyman the Magnificent has led to rigorous criticism by members of opposition parties.
Some described Erdoğan’s behavior as an intervention in the judiciary because he had said, “We have alerted the authorities on this, and we wait for judicial decision on it.” Others said the prime minister was mainly trying to divert the country’s agenda.[…]
Tv series and historical facts
“Did it just occur to him now? This TV series has been on the air for more than a year,” Büyükataman told Radikal. “The series should be reviewed in line with historical facts, but I don’t believe in the sincerity of Mr. Prime Minister’s approach.”
Peace and Democracy Party (BDP) deputy parliamentary group chair İdris Balüken said Erdoğan’s main problem was his aspiration to tyrannize over arts and artists, while also intervening in the judiciary as the judiciary itself has already been manipulated by his positions.
“Taking this aspect into consideration, we can estimate the greatness of the danger of an order given to the judiciary for censorship and to take the arts under its control,” Balüken said.”
“The exporting of Turkish television series to the Middle East and Eastern Europe, which have resulted in the soaring popularity Turkish brands, continues at full-force. Bringing in 100 million dollars in exports this year alone, television shows from Turkey are now selling at higher prices than famous U.S. television series.
According to Customs and Trade Minister Hayati Yazıcı, the peaked interest in Turkish television shows abroad has resulted in turning all eyes on this fast growing sector in Turkey. According to Minister Yazıcı, while statistics show that throughout the globe audio-visual exports saw a 4.54 percent growth on average, in Turkey this year the same figure came to 25.98 percent. Turkish shows are taking the monopoly of prime time spots in a wide variety of locations throughout the Balkans, the Middle East and Central Asia.
Turkey’s entertainment sector has been exporting for five years now. Up until just two years ago, Turkey’s entrance in the market was based on a low-price policy, however now some of the nation’s most popular productions are selling for higher than popular U.S. shows such as Mad Men.
İzzet Pinto, CEO of Global Agency is one of the most prominent businessmen selling Turkish television shows all over the world. According to Pinto, Turkey’s popular sprung to life with television shows such as Bir İstanbul Masalı (An Istanbul Tale), 1001 Gece (1,001 Nights) and Gümüş (Silver). “Today, 100 television stations are being exported to 60 countries. This sector results in bringing in 100 million dollars in foreign currency,” states Pinto.
While Turkish shows are already topping the popularity charts in Middle Eastern and Balkan nations, Turkey now intends to dominate the Western European market. İzzet Pinto explains that they are currently launching in France and if they see success they will go ahead and enter nations such as Italy and Spain.
Western interest in Turkish show
The wind of Turkish shows, which undoubtedly blows strongest in the Gulf nations, has now made its way to the Western European segment, which symbolizes strong economy and high social life standards. For the first time ever, a Turkish television show will soon be released on a Swedish state-run television station.
Considered to be Sweden’s version of Turkey’s TRT, Sveriges Television (STV) will soon be broadcasting the popular television series “Son” (The End) which runs on Atv and stars Yiğit Özşener, Nehir Erdoğan and Berrak Tüzünataç.”
“Turkey’s Culture and Tourism Ministry has responded to the prime minister’s recent suggestion that “Muhteşem Yüzyıl” (The Magnificent Century) was misrepresenting Ottoman history, emphasizing the show’s number large viewership, as well as the general economic benefits of Turkish TV series.
“At the end of 2010 we had $65 mln in export revenue thanks to these T.V. series,” the head of the Intellectual Property Rights Property Rights department of the ministry, Abdullah Çelik, said in a speech at the Trakya University Balkans Congress Center.
“We exported 10,500 hours of T.V. series’ in 2011, however we had no export revenue in 2006,” he said, adding that such series reached 150 million people in 76 countries around the world.
Prime Minister Recep Tayyip Erdoğan dished out heavy criticism on the hit Turkish TV series, “Muhteşem Yüzyıl,” (The Magnificent Century) for its portrayal of the Ottoman ruler Süleyman on Nov. 25. “[…]
“Turkey should follow in its ancestors’ footsteps and go everywhere they have travelled to, the Turkish prime minister said during the opening ceremony of Kütahya Zafer Airport on Nov.25.
“We move with the minds of our Dumlupınar martyrs,” Prime Minister Recep Tayyip Erdoğan said. “We move with the spirit that founded the Ottoman Empire.”
Erdoğan then criticized the opposition for asking “what [Turkey] was doing in Gaza, Syria and Sudan.”
“We must go everywhere our ancestors have been,” Erdoğan said. “We can not take [Atatürk’s philosophy of] peace at home, peace in the world as passivity.”
“We have no eyes on any country’s land,” Erdoğan said. “We want stability in the region as much as we want stability in our homeland. We always side with dialogue to solve problems, but if there is a threat against our country then we will not refrain from taking the necessary precautions. We will not remain silent.”
PM slams Ottoman TV show
In the same speech Erdoğan also dished out heavy criticism on the hit Turkish TV series, “Muhteşem Yüzyıl,” (The Magnificent Century) for its portrayal of the Ottoman ruler Süleyman.
“We alerted the authorities on this and we wait for judicial decision on it,” Erdoğan said. “Those who toy with these values should be taught a lesson within the premises of law.”
Muhteşem Yüzyıl is a popular TV show airing in Turkey and abroad, which follows the lives of the Ottoman ruler Süleyman and his love Hürrem Sultan. The show focuses more on Süleyman’s personal life and palace life, portraying characters from the harem, as well as from the royal family. “
“Behzat Ç.’nin yazarı Emrah Serbes, dizinin 80. bölümünde KCK tutuklularına değineceklerini belirterek, “Hodri meydan. İsterseniz bunu yayınlamayın” dedi.
Star TV’de yayınlanan “Behzat Ç.”nin yazarı Emrah Serbes, 80. bölümde KCK tutuklamalarını ele alacaklarını açıkladı.
“Memleketin Hali” adlı programa konuk olan Serbes, burada yaptığı açıklamada şu ifadeleri kullandı:
“Bize sürekli baskı yapıyorlar. Diziye başladığımızda saat 20.00’de yayınlanıyorduk. Ondan sonra 2’nci sezonda saat 22.00’ye attılar. Bu sezon da saat 23.00’e… Ayrıca ‘13+’ sınırı getirdiler. Ondan sonra sabah kuşağına doğru atacaklar. Bu gidişle Seda Sayan’dan önce yayınlanacağız. Ama bu halk her şeye rağmen izlenmez sanılan dizimizi izliyor.
Şimdi biz 80. bölümde KCK tutuklularına değiniyoruz, bunu yazıyoruz. İsterseniz bunu yayınlamayın. Hodri meydan, yayınlamayın. Ne yapacaksınız, bizi kaldıracak mısınız? Kaldıramazsınız. Seyircimize de söylüyorum, bize sahip çıkın. Eğer yayınlamazlarsa üstüne gidin diyorum.”
Un extrait de ce film d’un cynisme caustique sur la télévision des années 70 aux US : le “tube”. Une satire qui fait toujours réfléchir sur l’état des médias aujourd’hui.
Voir sa fiche sur IMDB : http://www.imdb.com/title/tt0074958/?ref_=fn_al_tt_2
[…] Howard Beale: So, you listen to me. Listen to me: Television is not the truth! Television is a God-damned amusement park! Television is a circus, a carnival, a traveling troupe of acrobats, storytellers, dancers, singers, jugglers, side-show freaks, lion tamers, and football players. We’re in the boredom-killing business! So if you want the truth… Go to God! Go to your gurus! Go to yourselves! Because that’s the only place you’re ever going to find any real truth.
But, man, you’re never going to get any truth from us. We’ll tell you anything you want to hear; we lie like hell. We’ll tell you that, uh, Kojak always gets the killer, or that nobody ever gets cancer at Archie Bunker’s house, and no matter how much trouble the hero is in, don’t worry, just look at your watch; at the end of the hour he’s going to win. We’ll tell you any shit you want to hear. We deal in *illusions*, man! None of it is true! But you people sit there, day after day, night after night, all ages, colors, creeds… We’re all you know. You’re beginning to believe the illusions we’re spinning here. You’re beginning to think that the tube is reality, and that your own lives are unreal. You do whatever the tube tells you! You dress like the tube, you eat like the tube, you raise your children like the tube, you even *think* like the tube!
This is mass madness, you maniacs! In God’s name, you people are the real thing! *WE* are the illusion! So turn off your television sets. Turn them off now. Turn them off right now. Turn them off and leave them off! Turn them off right in the middle of the sentence I’m speaking to you now! TURN THEM OFF… […]
“New period television series launched in an attempt to share the history of the country with viewers, who have tuned in by the millions, have been on the receiving end of harsh criticism after claims that the series distorts the truth about historical events and figures.
The wave of harsh criticisms began with the launch of the TV series “Muhteşem Yüzyıl” (Magnificent Century), which is based on the life of Ottoman Sultan Süleyman the Magnificent and his love for Hürrem Sultan, a former slave who eventually became the sultan’s wife. Critics have argued that the costumes the actors and actresses wear in the series do not reflect the design of the clothing worn by members of the Ottoman dynasty but are rather similar to those used in the historical English TV series “Tudors,” which is about the reign and marriages of King Henry VIII. Also labeled by many as a “fake Tudors,” Magnificent Century has been criticized for its plot, which focuses on the harem life of Süleyman, about which, according to historians, there is no detailed account.
The negative reaction to historical series continued after “Bir Zamanlar Osmanlı: Kıyam” (Once Upon A Time in the Ottoman Empire: Rebellion), a series about significant events that took place in 18th-century Ottoman times such as the Patrona Halil Rebellion, started broadcasting in 2012. Viewers initially said the series, which was launched as a rival to Magnificent Century, was initially devoid of realistic characters and a consistent plot. The series underwent significant changes in the past year, including a change in the plot, and technical problems were also solved by producers.
Other television series such as “Seksenler” (The 80s), which revolves around the lives of people living in the1980s in the aftermath of a bloody coup d’état and “Öyle Bir Geçer Zaman ki” (As Time Goes By), which concentrates on the conflicts among members of a family living in the 1960s, have received similar criticism from historians.
Such series, however, have also revived people’s interest in historical figures and events. There has been a sharp increase in the publication and sale of books about history, according to historians. Women’s demand for accessories and jewelry worn by the main characters of these series has created new market opportunities. Historians have started to hold discussions about the figures and incidents in a number of TV programs with the aim of correcting the mistakes in the period TV series.
Ahmet Yaşar, a lecturer from Fatih University’s department of history, commented on the revival of interest in history through these series, saying they help people gain knowledge about history. However, Yaşar also criticized the series, noting that their producers can make changes or additions to historical events in order to increase ratings, adding that such changes or additions should only be made if there is no exaggeration. Yaşar said most people watch these series as if they reflect historical realities without questioning their authenticity, which makes it more important that they consult factual resources such as history texts.
Another historian, who wanted to remain anonymous, stated that the ideological views of the series’ producers also affect the way the characters and plot are rendered. The historian further commented that such TV series have unfortunately become a part of popular culture.
Followers of TV series, speaking to Sunday’s Zaman, talked about their positive and negative views on such series. Tülin Öksüz, a history gradate, noted that the series most of the time only focus on some particular figures and incidents, failing to talk about the lives of the common people, in which people are interested. Aynur Sezen, a fan of Magnificent Century, stated that the series contributes to her knowledge of history although at times the facts are not correct and events that did not occur in a particular period are depicted, which negatively affects the credibility of the series.
Zeliha Karlı, a housewife, noted that historical facts are merely touched upon with elaboration, which is why she chooses to avoid watching them. “However, I wonder if details about the historic figures and incidents were shared in a factual and detailed manner, would they be watched by as many people?” she said. “It is only the series that are set in more recent history that are credible for me since I know what happened during those times and can decide if the incidents are true or distorted,” noted Karlı.”
“Macedonia is currently passing a bill to restrict broadcasts of Turkish TV series during the day and at prime time in order to reduce the Turkish impact on Macedonian society, daily Habertürk has reported.
“Our own programs have started being broadcast after midnight because of Turkish soap operas. On every channel I see a Turkish soap opera like ‘Muhteşem Yüzyıl’ [The Magnificent Century], ‘Ezel,’ or ‘Binbir Gece’ [A Thousand and One Nights]. They’re all fascinating, but to stay under Turkish servitude for 500 years is enough,” Information and Society Minister Ivo Ivanovski said.
Turkish series will gradually be removed and replaced by national programs, according to the new bill.”
“Academics gather to discuss the increasing popularity of historical TV series in Turkey, noting the distinction between fact and fiction is often misunderstood by audiences. “The fictional side needs much more work because no one knows how a sultan approaches his wife,’ says an academic
It is important for television viewers to understand that historical dramas, such as the wildly popular “Muhteşem Yüzyıl” (The Magnificent Century), are fictionalized accounts of the lives of sultans rather than historically accurate documentaries, according to academics.
“Turkish people confuse the idea of TV series and documentary. A TV series is a different thing than a documentary,” said Erhan Afyoncu, a professor on the board of the Atatürk High Institute of Culture, Language and History, as well as a former consultant for “The Magnificent Century.”
Fictional side
Some have issued criticisms of historical series, Afyoncu said during a recent symposium in the northern province of Tokat, but added that it was difficult to produce such series.
“Historic TV series have a reality side as well as a fictional side,” the former consultant said. “The fictional side needs much more work. You have to create a fiction. You know the political events from history and you stick to this reality when making a TV series. But no one knows how a sultan approached his wife or how he behaved in daily life. This is why you have to fictionalize it. We did it in ‘Magnificent Century.’ There were discussions about sending Süleyman the Magnificent on journeys in the TV series. But I added these journey scenes to the series. But it is interesting that the series had lower ratings in these episodes.” […]