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“100 million dollars brought in from sending turkish shows abroad” – Sabah

“The exporting of Turkish television series to the Middle East and Eastern Europe, which have resulted in the soaring popularity Turkish brands, continues at full-force. Bringing in 100 million dollars in exports this year alone, television shows from Turkey are now selling at higher prices than famous U.S. television series.

According to Customs and Trade Minister Hayati Yazıcı, the peaked interest in Turkish television shows abroad has resulted in turning all eyes on this fast growing sector in Turkey. According to Minister Yazıcı, while statistics show that throughout the globe audio-visual exports saw a 4.54 percent growth on average, in Turkey this year the same figure came to 25.98 percent. Turkish shows are taking the monopoly of prime time spots in a wide variety of locations throughout the Balkans, the Middle East and Central Asia.

Turkey’s entertainment sector has been exporting for five years now. Up until just two years ago, Turkey’s entrance in the market was based on a low-price policy, however now some of the nation’s most popular productions are selling for higher than popular U.S. shows such as Mad Men.

İzzet Pinto, CEO of Global Agency is one of the most prominent businessmen selling Turkish television shows all over the world. According to Pinto, Turkey’s popular sprung to life with television shows such as Bir İstanbul Masalı (An Istanbul Tale), 1001 Gece (1,001 Nights) and Gümüş (Silver). “Today, 100 television stations are being exported to 60 countries. This sector results in bringing in 100 million dollars in foreign currency,” states Pinto.

While Turkish shows are already topping the popularity charts in Middle Eastern and Balkan nations, Turkey now intends to dominate the Western European market. İzzet Pinto explains that they are currently launching in France and if they see success they will go ahead and enter nations such as Italy and Spain.

Western interest in Turkish show

The wind of Turkish shows, which undoubtedly blows strongest in the Gulf nations, has now made its way to the Western European segment, which symbolizes strong economy and high social life standards. For the first time ever, a Turkish television show will soon be released on a Swedish state-run television station.

Considered to be Sweden’s version of Turkey’s TRT, Sveriges Television (STV) will soon be broadcasting the popular television series “Son” (The End) which runs on Atv and stars Yiğit Özşener, Nehir Erdoğan and Berrak Tüzünataç.”

Source : Sabah

 

“Turkish television show fervor reaches western Europe” – Sabah

By Kerim Ülker.

“The recent wind of popularity for Turkish television series in the Middle East, which has increased the advertising market by 35 percent, has now reached Western Europe. Sweden, the symbol of welfare, will soon broadcasting a Turkish television series for the first time ever.

Turkish television series have found increasing popularity in a variety of nations spanning from Croatia to Azerbaijan, the UAE to Kosovo and even in some of Asia’s most distant nations such as Singapore and Vietnam.

The popularity of Turkish television series in the Middle East has also resulted in a significant increase in exports. Turkey, which every year sells 100 television shows to 20 different countries, is aiming to increase the 60 million dollars in exports to 100 million. With their increasing influence in the Arab world, the popularity of Turkish television shows is now beginning to reap results in the economy. Figures from the past 18 months, which include the Arab Spring, are showing that these shows are also making a mark on the advertising market.

THE END IN EUROPE FOR A FIRST

In 2010, there were 81 television shows broadcasted in the region. In 2011, this figure went up to 160. Turkish television series constitute a significant number of the shows running. Lebanese K&Partners TV Services CEO Nabil Kazan says that these Turkish shows played a significant role in the 35 percent increase in the advertising market this period, which reached 14.3 billion dollars.

The recent popularity of Turkish shows in countries such as Russia and Ukraine has now made its way to Western Europe nations. Sweden will soon be broadcasting a Turkish television for the first time ever. Sweden’s state-run Sveriges Television (STV) has signed on to broadcast the ATV show “The End” (Son), marking the first time a Turkish television series will run in Western Europe.

THE END TO SHOW IN SWEDEN

Sweden’s STV, which broadcasts from 16 different channels, holds a 36.3 percent share of ratings. STV, which is also set to host Eurovision 2013, will be releasing “The End” for Swedish viewers in January. Expressing how exciting he finds the show, STV Director Göran Danesten says, “This show is wonderful and will truly leave a unique impression.”

Source : Sabah

 

“Women in headscarves should have more presence in films and TV” – Sabah

Source : Sabah

On the verge of the release of a new documentary in which she stars as a headscarf-wearing character, actress Pelin Batu states, “Headscarves are everywhere, however we hardly see them in films or television shows. They need to be present more. The mentality of putting people in boxes is beginning to be broken down and normalization has slowly begun.”

Batu stars as a headscarf wearing woman in the “Zor Yılların Kayıp Çocukları” (The Lost Children of Difficult Years) documentary which details what transpired during the 1980 coup-era. Filming for the documentary, which is a Bahçeşehir University production, has come to a close and the film starring Pelin Batu and Tolga Güleç will be premiering at a gala on September 20th. The film, directed by Dr. Erkan Büker, a professor at Bahçeşehir University’s Department of Film and Television and written by Dr. İnci Taşdelen, also a professor at Bahçeşehir University, tells the story of Onur, who lost his leftist mother in prison and Züleyha who was brought up by rightists in a depiction of the traumas suffered by the children of victims in the coup. […]

THE PRESENCE OF THE HEADSCARF IS A SIGN OF NORMALIZATION

Pelin Batu explains that she feels it is very important that a number of headscarf-wearing characters have begun to surface in recent projects and that it is a sign of normalization. “There are a lot of women who wear headscarves on the street and at universities. I sometimes join the group Kardeş Türküler on stage and their bassist wears a headscarf. Even though all sorts of political messages and slogans are expressed during those concerts, it is that headscarved girl that draws the most attention! This is strange to me. Headscarves are seen everywhere, however they are barely visible in films and television shows. They need to be more present. The mentality of putting people in boxes is beginning to be broken down and normalization has slowly begun,” says Batu.”

Source : Sabah

 

“Turks now producing Europe’s televisions” – Sabah

Source : Sabah

“With campaigns geared towards sports, Turkish television manufacturers have conquered the European market. While Arçelik Grundig has sat itself in third place in Germany, with the aid of the Bundesliga, Vestel has caught on to a 70 percent growth.

The coinciding of the German Bundesliga with both the European Cup and the Olympic Games, has worked to Turkish television producers’ benefit. With their brand investments and production based strength, both Arçelik and Vestel, have turned their consumption potential derived from sports broadcasts into an opportunity in the television market. Both brands managed to have their presence felt in this year’s IFA, one of the biggest consumer electronics fairs in the world.

With Bundesliga TV and marketing, the return of a technological cllaboration put Arçelik in third place in the market. In the first six months of 2012, Grundig was able to double sales compared to the year prior. During the same time period, with flexibility in production and smart television investments in conjunction with the Olympic Games and the European Football Cup, Vestel saw a soaring 70 percent growth in exports during the same time period.

TARGETING AFRICA AND THE U.S.

Both firms have determined new export markets in order to ensure they are not affected by any shrinkage that could transpire in Europe. While Arçelik has set its sights on growth in Africa, by purchasing the Defy brand in South Africa, they have already made a significant jump. Vestel on the other hand has completed preparations to begin exporting televisions to South America’s Argentina, Brazil, Uruguay, Peru, Colombia and Paraguay.

INCREASING SHARES FOR THE PAST FIVE YEARS

The ‘Cast Line’, a special cookware series designed for Beko by Patricia Urquiola, was revealed for consumers at this year’s IFA, which also showcases white goods.
Koç Holding Durable Goods Consumer Group Chairman Levent Çakıroğlu announced that Arçelik has grown by 40 percent over the first six months of 2012. “With the effects of this growth, our six-month revenue has reached 5.2 billion TL. We are the only brand in Europe that has managed to increase our market share for five consecutive years,” states Çakıroğlu.

70% GROWTH WITH THE OLYMPICS

Vestel, which introduced a number of new products at the IFA, managed to acquire a 70 percent growth in television sales in the first six months of the year. Based on this product alone, the firm’s revenue has reached 687 million euros.

According to Vestel Executive Board Vice-Chairman Turan Erdoğan, the Olympics and the football championship were important driving factors. “We gained a lot of momentum due to the fact that the European Cup was in June and the Olympics followed in July,” says Erdoğan.”

Source : Sabah

“Turkish television shows nominated in Korea” – Sabah

Source : Sabah

Turkey’s popular television show stars Beren Saat and Kenan İmirzalıoğlu have been nominated for “Best Female Actress” and “Best Male Actor”, respectively, for the 2012 Seoul International Drama Awards, the largest television drama festival in Asia .

The popularity of Turkish television series abroad has most recently been made evident through nominations for best male and female actors as well as best television series in this year’s Seoul International Drama Awards in South Korea.

Beren Saat has been nominated as best actress for her role in “Fatmagül’ün Suçu Ne?” (What is Fatmagul’s fault?), while Kenan İmirzalıoğlu competes for Best Male Actor for his role in “Ezel.” The popular Turkish drama “Ezel” will also be competing against Colombia’s “Broken Promises”, South Korea’s “Deep Rooted Tree”, “The Princess’ Man” and “Moon Embracing The Sun”, Spain’s “Gran Reserva – Vintage”, China’s “Home of People’s Hearts” and the United States series “The Firm” for “Best Television Drama.”

The festival’s final will be held on August 30th at the Korean National Theater.

Source : Sabah

“Turkish weddings in demand by Arabs” – Sabah

Source : Sabah

“The Arabs’ love for Turkey, evident from the popularity of Turkey’s television series, has now spread to wedding planning. Turkey’s wedding planners are now seeing high demand by Arabs for Ottoman weddings.

These days Turkey seems to have been put on a pedestal by Arabs. Spanning from Turkish cinema to sports, arts to politics, the Arabs love of Turkey is currently on the rise. This adoration is also being reflected on the nation’s economy. Arab tourists are practically flowing to Turkey. With regressed exports to Europe, Turkey is now looking to increase exports to the Middle East. Meanwhile, Arabs are waiting in line to become homeowners in Turkey. It is this love of Turkey by Middle Easterners that is sending the nation on a whole new journey when it comes to exports. Now it seems, Turkey will be proving a whole new sort of exports in the form of wedding planning. Arabs, who are willing to dish out millions of dollars on wedding organizations that would place Istanbul in one of the top spots as most desirable wedding locations, are now demanding weddings of Ottoman grandeur in their own countries. SABAH speaks with a number of well-known wedding planning firms based in Istanbul. […]

WEDDINGS INCREASE BY 20 PERCENT EACH YEAR

The sector contributes to 20 different fields of business in Turkey.
Every year, approximately 650,000 couples get married.
195 million dollars are spent annually on bridal gowns alone.
The number of weddings increases by 20 percent every year.
There are 350 foreign weddings held in Turkey annually.

GLOBAL WEDDING SECTOR

Eight billion dollars is spent on honeymoons.
Nineteen billion dollars are spent annually on wedding gifts.
The highest number of weddings are held in Las Vegas.
Wedding rings costing 1,100 dollars are preferred on average.”

Source : Sabah

“Investments pour in for entertainment” – Sabah

“Turkey, a rising star in terms of global growth, is now becoming a regular stop for international stars such as Madonna and Zaz. Foreign investors are now racing to invest in Turkey’s four billion dollar entertainment sector.With international record growth and per capita annual income rising to over 10,000 dollars, Turkey is now drawing in international investors who are testing the waters in the entertainment sector.

With the increasing prosperity in the economy, international stars that used to pass on including Turkey in their international tours are now lining up to schedule concerts. This year a number of famous performers such as Madonna, Zaz, Pitbull and Leonard Cohen will be playing for their fans in Turkey. The country, which was not a favorite destination in the past, now has nearly 100 shows listed every day. With 36,000 events organized annually, Turkey’s entertainment market is expected to rake in over four billion dollars this year.

A 400 MILLION DOLLAR INCREASE

According to Turkey’s Entertainment Sector Association (TESDER) Chairman of the Board Fırat Kasapoğlu, every year the sector’s revenue is on a rise. According to the figures, in 2010 the sector brought in 3.2 billion dollars, in 2011 3.6 billion dollars. At present the entertainment sector is expected to bring in four billion dollars in revenue. However, Kasapoğlu explains that the sector has a significant amount of growth potential. Drawing on the United States as an example, Kasapoğlu says that including media spending, the entertainment sector is worth 458 billion dollars. The entertainment sector in Japan is worth 169 billion dollars, while in both China and Japan the sector has reached 90 billion dollars.

A CENTER OF ATTRACTION

Paralleled with the increase in revenue obtained by the entertainment sector, internationally acclaimed event operators are now scheduling in Turkey for their tours. Kasapoğlu explains that foreigners are now aware of Turkey’s potential and are showing increased interest in Turkey. “Turkey has become a center of attraction in the entertainment sector,” says Kasapoğlu who explains that there has been an increase in the number of foreign events held in Turkey which brings with it a serious tourism potential. “Tourists come from neighboring countries in order to watch foreign music groups perform. Tourists came from Russia to see Tarkan for example. But also foreignners flock to Turkey to see performances by U2, Bon Jovi and Madonna. They also come to Turkey from Arab nations,” says Kasapoğlu.” […]

Source : Sabah

” ‘Media published manufactured lies during Feb. 28 coup era’ ” – Sunday’s Zaman

Sabah’s former boss, Dinç Bilgin, says he is ready to testify in the Feb. 28 investigation. (Photo: Today's Zaman)

“The former owner of a media group has said Turkish newspapers published lies under orders from the military during Turkey’s Feb. 28, 1997 period, saying he is willing to testify in front of prosecutors, who on Thursday issued arrest warrants for 31 generals accused of orchestrating the coup.

Dinç Bilgin, a businessman who was the owner of the Sabah newspaper at the time, said Feb. 28 generals relied heavily on the media to manufacture stories about a growing Islamist threat and that there was a lot of pressure on newspaper owners and editors at the time. “I see the new developments as a very positive step forward. The military at the time saw itself as the hegemon of the country. They saw themselves as above all the country’s constitutional agencies.”

He said the media, as well as academia and the judiciary and other segments of society, were under significant pressure from the military. Bilgin also noted that he would be happy to testify and share what he knows about the Feb. 28 era with prosecutors or judges.

Bilgin said during the Feb. 28 period, he met once with generals Çevik Bir and Erol Öskasnak, who complained about Sabah’s staff, saying they were not doing enough to assist the military. “I was invited to the General Staff headquarters in Ankara. Chief of the General Staff İsmail Hakkı Karadayı invited me for dinner. Before dinner, we sat together with Çevik Bir and Erol Ökasnak in a room. It was a very unpleasant conversation. They complained about Sabah columnists. They complained because the writers weren’t writing the things they wanted to see. I tried my best to explain that newspapers don’t work like the military; however, at the time, it was impossible to explain this to those people. Being a strong media mogul, I gave snide, arrogant replies. It was very unpleasant.”

He said the press, instead of fighting a democratic struggle, published untruthful stories to instill fear about the imaginary threat of rising Islamism that the military had said it was committed to fighting. “After the media, the generals’ strongest ally was the judiciary. Think about the prosecutors of the day. If you opposed them, you would end up in front of Nuh Mete Yüksel,” he said, referring to the chief prosecutor of the State Security Courts (DGM).

Bilgin said some people that the media reported on, who appeared to be reactionary Islamists, were in fact hired actors. “I am saying this for the mainstream media. Generally, such stories on Islamic fundamentalism were being published through the Ankara offices. Whoever is the head of the Ankara office usually wants better ties with the General Staff. The military was the strongest institution in the country at the time, so they wanted to get along with them.” Bilgin stated he would be happy to testify and share his knowledge with the prosecutors if summoned.

Rector of Onsekiz Mart University Sedat Laçiner also made a statement evaluating the recent developments. He said the Feb. 28 intervention was a crime that went unpunished. “Because there were ongoing coup attempts inside the military, those responsible for the Feb. 28 and the Sept. 12 [1980] coups couldn’t be tried earlier,” Laçiner said.

He said the fact that the Feb. 28 intervention was a military takeover is accepted by both those who staged it and those who were victimized by it. He said there was a clear intervention by the military in the civilian government. “Just like the Sept. 12 coup, Feb. 28 also involved torture and many violations of human rights. This is more than the crime of military intervention; there are also people who have been victimized. People were fired from their jobs with no justification, people were treated as if they were second-class citizens. There are people who were put in a cell and interrogated there, people who were told they would be denied their right to education unless they changed the way they dressed. There are people who killed themselves because they were slandered.”

Laçiner noted that the civilian aides of the Feb. 28 architects kept tabs on hundreds of university students and reported on them regularly to the Higher Education Board (YÖK), saying this was a huge violation of human rights. “Despite the fact that millions of people have been victimized, the guilty ones are freely walking the streets. Letting this go unpunished is tantamount to encouraging the crime. You can’t have any statute of limitations here. This crime at hand is obvious.”

Source : Sunday’s Zaman

“Mavi on the rise in the Middle East due to popular Turkish TV. shows” – Sabah

Source : Sabah

“With new stores opened in Iraq, Libya, Saudi Arabia and the United Arab Emirates, Mavi General Manager Cüneyt Yavuz explains that popular Turkish television shows have had a positive influence in increasing their regional sales.

Turkish television series are breaking rating records in the Middle East, which in turn is positively affecting the trade volume of Turkish firms operating in the region.

According to Cüneyt Yavuz the General Manager of the famous ready- to- wear brand, Mavi is extremely well-known and in demand in the Middle East and therefore they have now opened stores in new important markets such as Libya, Saudi Arabia and the United Arab Emirates. Yavuz explains that the Middle Eastern market has been an interesting experience for Mavi and states that due to the import of Turkish television series, interest is on the rise. Yavuz also states that with Kıvanç Tatlıtuğ acting in the brand’s commercials for the past three years, he has now become an important ambassador for Mavi in the region.

Yavuz says that in the short period of five years’ time since they were first established, Mavi quickly became the leader of Turkey’s jean market, however wanting to expand further; they first opened up stores in Germany and then entered the American market, the homeland of the blue jean, where they have successfully established a chain of Mavi stores. “

Source : Sabah

“Turkey’s advertising sector sees 20% growth” – Sabah

Source : Sabah

“Turkey’s Association of Advertising Agencies has announced advertising investment figures for 2011 compiled with data from member media agencies.

Advertising spending increased by 20% last year, compared to the year prior, reaching a total of four billion, 320 million liras. This means that the Association of Advertising Agencies’ announcement released to the press at the start of 2011, in which they stated they were expecting to see 20 percent growth in the year, has in effect been realized.

Parallel with the activity in the markets, the 2010 figure of three billion, 613 million TL in total advertisement saw a 20 percent increase in 2011 with totals reaching four billion, 320 million TL. The distribution of investments is as follows: 56.66% in television, 24.25% in the press, 7.97% on the internet, 7.09 % outdoors, 2.80 percent in radio and 1.23 percent consisted of movie theater ads. Economic developments in 2011, the high growth speed and the liveliness in the markets has positively affected the advertising sector. After already experiencing 31 percent growth in 2010, the advertisement sector continues to follow an upward trend with 20 percent growth seen in 2011. The driving forces in the sector’s growth were the areas of communication, food, cosmetics and personal care items as well as home cleaning products.

Turkey’s Association of Advertising Agencies has high hopes for 2012. According to the announcement, expectations of advertisement sales for 2012 are at the 15 percentile range.”

Source : Sabah

“Murdoch to invest in Turkish media” – Sabah

“Prime Minister Tayyip Erdoğan met with Rupert Murdoch, the owner of the United States media giant News Corp. during his heavy schedule yesterday.

During the meeting which lasted an hour and ten minutes, Murdoch shared with Erdoğan his intentions to invest in the nation and stated: “We want to expand our programs in Turkey. We see Turkey as an important country from a media standpoint. We hope to expand our investments here.” Murdoch was accompanied by former parliamentarian Engin Güner for the meeting.

Upon his arrival, Murdoch was carrying a book entitled, “The Empty Ouarter”, which he later gave to Prime Minister Erdogan as a gift.

English writer John Bridger Philby wrote the book which describes the Rub ‘al Khali desert in Arabian peninsula. Philby was a British colonial intelligence officer during World War I, yet died a Muslim in Lebanon in 1960.

Prime Minister Erdoğan also welcomed Iraqi leader Ayad Allawi. Prior to Erdoğan’s arrival to the Prime Ministry, 20 security detail were on duty to search the area with dogs following a noise bomb that went off prior.”

Source : Sabah

“Murdoch tells Erdoğan interested in expanding investment in Turkey” – Today’s Zaman

Ruppert Murdoch. Source : Today's Zaman

“Turkish Prime Minister Recep Tayyip Erdoğan met with News Corporation Chairman Rupert Murdoch on Tuesday afternoon in Ankara.

The Australian-American media mogul’s meeting with Erdoğan followed last month’s media reports that his News Corporation was planning to buy Turkish Çalık Holding’s Sabah daily and ATV station.

A Turkish official close to the prime minister told The Associated Press that Murdoch has expressed an interest in expanding investments in Turkey.

The official said Murdoch told Erdoğan during the meeting that he regarded Turkish media as an “important sector” for investments.

The Turkish official, who spoke on condition of anonymity in line with government rules, would not say if Murdoch expressed interest in acquiring Turkey’s ATV television and Sabah newspaper.

Murdoch in 2007 shared with the Turkish government that he “seriously contemplated the acquisition of Sabah and ATV” when they were put up for sale by the state’s Savings Deposit Insurance Fund (TMSF). Following confiscation by the TMSF of Turkish business tycoon Turgay Ciner’s Merkez Media Group in 2007, the Çalık Group acquired Sabah and ATV along with other smaller entities for $1.25 billion in 2008. The News Corporation’s Wall Street Journal said in late January that US media giant Time Warner Inc. and private equity firm TPG Capital are also interested in Sabah and ATV.

Murdoch’s reputation as a media tycoon was smeared by a scandal last year that even forced the British government to make a statement regarding its links to the mogul’s media empire. Following the discovery of systemic phone hacking made by Murdoch’s News International, police arrested dozens of reporters as well as a number of executives working for him.”

Source : Today’s Zaman

“First-ever Kurdish TV series ‘Siya Mem-u Zin’ receives accolades” – Sabah

Source : Sabah

“Once a prohibited poet, Ahmed-i Hani’s poetic work Mem-u Zin was first translated as a book from Kurdish into Turkish and then later was adapted for the screen by TRT 6.

Held at the Rixos Hotel, last night’s premiere gala for “Siya Mem-u Zin”, which translates to ‘In the Shadow of Mem-u Zin’, brought out high level members of the state. Deputy Prime Minister Bülent Arınç, Minister of Finance Mehmet Şimşek, Minister of Defense İsmet Yılmaz and Minister of Food, Agriculture and Husbandry Mehdi Eker all gave a thumbs up to Turkey’s first television program shot and broadcast in Kurdish. During his address at the gala, Minister Eker started off speaking in Kurdish and later switched into Turkish.

Eker explained that Ahmed-i Hani holds a very special place in his life and stated, “For a while, Mem-u Zin would be told along with a series of secretly hidden legends. There were even times when if someone was caught with a copy of the tale, they would be forced to endure torture. The point we have reached now is an extremely important development.”

Deputy Prime Minister Arınç states, “We will break free from this terrorism curse, which we all complain of, by getting to know each other better and by holding one another in high esteem.”

Adapted from the famous work by Ahmed-i Hani, which was completed in 1964, “Siya Mem-u Zin” is produced by Aytekin Mert and directed by Yusuf Güven. The series stars Cem Kurtoğlu, Süleyman Karadağ, Bilal Yörük and Yaprak Durmaz.”

Source : Sabah

“Çalık: Turkey will grow by at least five percent” – Sabah

Source : Sabah

“Explaining that Turkey had one of the fastest growing economies in 2011, Çalık Holding Chairman of the Executive Board Ahmet Çalık, states, “Despite the uncertainties in Europe, this year the economy will still show at least five percent growth.”

Çalık Holding Chairman of the Executive Board Ahmet Çalık expressed that Turkey has now become a regional player due to its political stability, correct management and economic reforms. “Even in 2011, which was a difficult year for the world, Turkey is way above expectations and has become one of the limited numbers of fast growing economies. Despite the uncertainties of the global economy and especially in Europe, I think that Turkey will see at least four to five percent growth for 2012.” Çalık goes on to state that Turkey has decreased the single market risk and has opened into new markets. “The slow-down in Europe has been balanced by the strengthening of other markets. Meanwhile, the strong growth in our country and the increasing welfare has produced new opportunities, in addition to establishing a tolerance to the changes in the international market. Over the past ten years, Turkey continues to do the right things by continuously developing, and recognizing the risks and taking action.”

A 700 MILLION $ INVESTMENT

Ahmet Çalık also offered an assessment of Çalık Group’s objectives and stated, “We operate in 15 nations with over 20,000 employees. We have become exhausted by adapting to the special standards of each nation. We are used to crises and have developed resistance. If you are prepared then you will be able to handle the sunny days and the harsh winter conditions and you will know it is all temporary and will take precautions accordingly.”

Çalık also shared that in 2011; the holding saw a 20 percent increase in active growth and revenue increased by 50 percent and the company made 700 million dollars worth of investments. Ahmet Çalık went on to state, “With the exception of the big projects we currently have for this year, we also foresee making a 250 million dollar investment.”

WE WILL BE RETIRING OUR FIVE-YEAR BONDS AND WILL EMBARK ON NEW PROJECTS

Çalık goes on to state that the group has realized a total bond issue of 200 million dollars as well as fulfilled all commitments embarked on in their entirety. “In March, we will be retiring our five-year bond after which we will continue to look out for more projects.” This positive retirement and interest shows that if our group were to take out another bond, we would be able to obtain funds under much more suitable conditions. Even though there aren’t any plans as such at the moment, depending on the suitability to the conditions in the upcoming period, we could end up issuing a bond.”

Our projects contribute to urban renewal

Ahmet Çalık explained that they have begun working on the initial sales of Gap İnşaat’s Tarlabaşı Urban Renewal Project, while efforts to develop the Fener-Balat project continues, and states, “The first phase of the Metropol Istanbul project in Ataşehir has gone on sale. They have acquired significant interest and a nice sales graphics. Our Şehrizar Residents project in Üsküdar Burhaniye is an absolute gem with both its location and modern neighborhood concept. They will begin hosting their first residents at the end of the year. We are expecting to make over 500 million dollars in revenue from our projects which have already begun to sell.”

Proposals received by Turkuvaz contribute to our brand

Çalık explained that Turkuvaz Medya’s capital is growing and that both print and publishing quality has increased and stated that they have established a number of new brands. Çalık also revealed a series of sales details, explaining that according to the initial requests coming in for the brand they are seeing intense interest, Çalık states, “This represents our significant contribution to the brand. Of course the perception of Turkey that is developing abroad is also significant.” Ahmet Çalık also reminded that work on the Samsun-Ceyhan Petroleum Pipeline, the East Mediterranean Refinery and Petrochemical continue, while in addition to these projects, we also have electric and gas distribution companies as well as wind and HES projects available in our portfolio.”

Source : Sabah

“Atv shows viewed all over the globe” – Sabah

With around 2,000 hours of original programming produced each year, ATV has a “pioneer outlook” on the current market and is at the forefront of the “Turkish drama boom”, as its content sales deputy manager, Ziyad Varol, told ttv.

Ziyad Varol: “Our Programs are Sold in Over 60 Countries”

As part of Turkey’s “drama boom”, ATV -owned by Turkuvaz Media Group- follows the current high quality drama production trend; and the company doesn’t stop there. On the contrary, its growing international catalog also includes formats and various TV genres that enter the international arena as a result of the channel’s daily endeavors in the local market.

“The channel is known for its enthralling dramas, hilarious comedies, action-packed series and engaging sitcoms, all of which are produced in the highest quality. With a creative and pioneering approach, ATV successfully produces many unique and original programs, bringing an array of fabulous stories and first rate actors to the TV screen,” Ziyad Varol, ATV’s Content Sales deputy manager, says.

ATV currently produces around 2,000 hours of original programming including TV series, daily shows, lifestyle-entertainment and current affairs programs. However, overlooking the drama genre in Turkey can be quite dangerous.

“Drama stands at the core of the TV industry in Turkey, especially for mainstream channels and independent production houses,” he explains. Also, the executive recognizes the industry’s efforts as a whole and assures “all players deserve to be applauded” for their intense work and for succeeding in enhancing the Turkish audiovisual production quality standards. “We are proud to be part of this achievement,” Varol says.

Obviously, the local drama prominence is also reflected on the international demand for Turkish series. Yet, the executive believes in content diversification, as other kinds of content also produced in the country are having good performances overseas. “Based on the sales figures, the most popular genre appears to be drama. However, action and dramedy are also the types of genres people show interest in during international markets. If you take a look at ATV’s catalog you will also see two formats which have been very successful in Turkey; Match&Marry and Straight Forward.

When Turkey’s drama boom was just emerging, ATV’s titles were only distributed to the Middle East. “However, there are already over 60 countries buying Turkish programs,” he states. The Middle East, Balkans, Ex-Yugoslavian countries, Transcaucasia, Post-Soviet states and Eastern Europe are amongst the main buyers. “Nevertheless, it’s not a dream to expect Turkish titles to find slots in major European countries, India, Japan or even America in the future, either as taped content or formats. In the past, no one could anticipate the role that Turkish products are currently playing in the global TV market.”

BRAND NEW TRIO

In recent months, ATV has launched three new titles which, according to Ziyad Varol, have been successful in the local market and have also captured the attention of international buyers: TV series Life Goes On, The End and The Cliff. “From one of the most famous directors in Turkey, Mahsun Kirmizigul, Life Goes On draws attention to early marriage incidents that are still common in many regions in the world and portrays the dramatic life of a 15-years-old girl who is forced to marry a 70 year old man,” he says. In addition, all 25 episodes of The End have made an impact as “one of the most unique TV projects in the Turkish TV history;” and The Cliff tells “the story of a woman coming to Turkey with her sister with the hope of working as a nanny. She manages to escape from the trap she falls into at the last moment”.

Lastly, Varol shares his outlook on DISCOP Istanbul, a local event for ATV to test the market and the strength of its presence in the region: “It’s a small market, but we are glad to have an event like this taking place in Turkey. It was definitely a right decision to organize said market in Istanbul where the heart of globally popular Turkish drama beats. We find it a tailored market where all potential clients assemble”.

Source : Sabah